William the White wrote:
lovethesmellofnapalm wrote:
but American Beauty- sheet
and not overly keen on Usual Suspects either
too difficult i s'pose
Out of interest - perhaps only mine - why do you dislike American Beauty so much?
And, just cos I wonder if it's a writer thing - this is something that interests me - did you ever get on with Six Feet Under? Since this has probably secured the future of Alan Ball's grandchildren, never mind him and his kids...
I find myself chasing writers I like, particularly for the stage... but also for TV and Film (and, indeed, radio (where anything by Tina Pepler will make me stay in to catch or catch up)... And, indeed, books (though i recognise that this is more common)...
And I avoid others I haven't got on with... Maybe Ball's work doesn't touch your button. It's certainly a little more domestic than Apocalypse Now. Me? I really like both, flaws n all...
I know the question was directed at ILTSON, but, do you generally think the "writer" or the original work has very much to do with the production of the thing, especially with films (they might be a bit closer to other types of production - stage etc.)
As a ferinstance, the Bourne films already mentioned on here, a million miles away from the books, not even close. If I watch them in the context I had from reading the book, I declare them "a bag o shite". If I pretend I've never read the books, then as a film that passes an hour and a half, I've probably seen a lot worse.
So I wouldn't discount a film because I disliked the author nor necessarily recommend a film, because I liked the author.
That said, I'm not holding out much hope that the flim of "Jordan, A Whole New World" will be a must see...